Lukasz Chrobok spent in the Shishim Hill Residency a March of 2020. Each Saturday we invited guests for the artistic lunches, improvised by the artist. Each lunch presupposed the thematic menu idea and was completely led by a natural communication process: before we could eat the lunch had to be cooked. All the participants took their parts in preparational process and occupied their places on an imaginary but very practical production line.

Cooking obviously worked as a process itself, but also served as a literal analogy of an artistic process. Steps of choosing the theme and artistic media we can express it through, paralleled by those of selecting the ingredients and ways they can be prepared. The format of these residential events emphasizes that the art is not just a piece to be properly served, in other words, it's more than a result, even more: maybe the result (the finest one, of course) is the least of the funs, which can be given by art.

The goal was not only to share the fruitful process of creation, of making sketches and of playing with the ideas, but also to enrich the research and fill it with talks and opinions of people cooking and eating in a friendly atmosphere. The interaction, a feeding of artist's impressions with ideas and knowledge of guests – a needed extension of any site-specific exploration. As staying in the framework of contemporary art, we still prefer to analyse sites, which are widely inhabited by human beings, intertwined with their connections and probably even polluted by their mediations.